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These young people aren’t comic-book characters but real New York City children who have recorded their dreams for “The Super Power of Me Project,” a free public-art installation accompanied by writing workshops. McKenzie’s superpower is “levitating over gravity.” Kyle’s is “to fly to the moon.” Mason’s involves math and science. Ronald McNair Park, Eastern Parkway and Washington Avenue, Brooklyn. But rather than explain their pieces in detail, the exhibition encourages young visitors to think about how anyone can use geometry to construct a story. The artists - Marisol Martinez, Tariku Shiferaw, Chris Bogia and Rico Gatson - explore themes that include race relations, Black history and even death. However, “ Geometries,” one of the institution’s three summer shows, combines complexity with an inherent simplicity: All the artworks are based on circles, squares, triangles and other basic shapes, showing children that creative adults use building blocks, too. “What makes us unique out of all the other children’s museums in the city is that we’re not a playground,” Damien Davis, an artist and Sugar Hill’s guest curator, said during a recent visit. This museum has always had an unusual mission: exposing a very young audience - ages 3 to 8 - to cutting-edge contemporary art. 20 at the Sugar Hill Children’s Museum of Art & Storytelling, 898 St. Tickets are available at dice.fm for $26.17, all included. Her newest album, “Spiro World,” bridges elements of Terry Riley’s keyed-up minimalism with the proggy delirium of “Aja”-era Steely Dan, by way of Tsege Mariam Gebru’s Ethiopian piano balladry. He’ll share the bill this Saturday with his Leaving Records label-mate Time Wharp (née Kaye Loggins), a Brooklyn multi-instrumentalist whose music shows generations of the Golden State’s influence. He recorded last year’s “One Theme & Subsequent Improvisation” piecemeal with four friends, ending up with a chill-but-expeditious, 33-minute LP. The Angeleno bassist and producer Sam Wilkes’s credits leap from Chaka Khan to Maggie Rogers to Dean Blunt, but under his own name he makes live, electrified music that’s jammy and warped, from a DIY home studio. The influence of Los Angeles’s experimental underground has been seeping outward for some time, sending Cali-sober vibes and loosefitting, woozy beats into the bloodstream of pop, jazz and electronic music. Tickets are available on SeatGeek for $69 and up. Two young rappers signed to Lamar’s pgLang label, Baby Keem (his cousin) and Tanna Leone, will open. Morale,” Lamar will perform in Brooklyn on Friday and Saturday - his first New York dates since 2018. Though the galvanizing, anthemic quality of some of his earlier work is missing, Lamar gives listeners plenty to think about. In the five years since his last release, he has instead been unpacking generational trauma, scrutinizing his personal shortcomings and lamenting the declining state of public discourse - all recurring topics on his sprawling, provocative and often disorienting new album. Morale & the Big Steppers,” is any indication, defending his throne is not Lamar’s top priority. Many have said that Kendrick Lamar is the greatest living rapper at the least, he’s the only one with a Pulitzer Prize. at Barclays Center, 620 Atlantic Avenue, Brooklyn.